Under the skirts of Audrey Fleurot

Many things have been said about Audrey Fleurot. Everyone knows her talent, she is a stage actress, a film actress, a popular artist, in short an icon of the small and big screen, an energy and a passionate above all.
But for me Audrey Fleurot is not only that…

One day, a few years ago, thanks to the intermediary of a seasoned film stylist, Audrey walked through the door of my studio. We were all waiting for her… There, like a ray of sunshine, she filled the space with warmth and kindness, smiling and sincere. She spent time with Mrs. Jacqueline, my first of Workshop, to touch materials, understand sewing techniques…

That day, as with all our Haute Couture clients, she took measurements. She is a very feminine and ultimately very fragile figure, but also athletic.
Afterwards, we went to the salon and she explained to me her love for clothing.

This young woman has as much fun playing roles in movies as she does being multifaceted in real life. She agrees with me: “clothing is a non-verbal message”.

Gothic sparklE

I had the chance to dress Audrey for the first time for “La Fête des Mères”, a film by Marie Castille Mention-Schaar. In an incredible ball gown of scarab and midnight blue lurex jacquard from the Première Nuit collection, for a big reception scene, Mademoiselle Fleurot played the President of the French Republic. In this film, she wore exclusively outfits from the House of Julien Fournié.

At the request of ALL.I.C Magazine, Audrey played the photo model game with me for the first time, under the watchful eye of Michèle Bloch Stuckens.

I had just finished First Crime, my “Vertigo” collection, a tribute to Alfred Hitchcock, and it was a revelation. Audrey is at the same time Marnie in a red silk dress, Tippi in a night powder grain suit, but also Grace in a black faille dress, languid.

Audrey Fleurot is however not a Hitchcockian victim. So, it will take a claw in this photo series. With a look of Parisian bobo disheveled, wearing a leopard print leather panther dress, or, a bit of a duck feathered casserole, in a silk crepe pajama suit with washed silk trench.

The night before a shoot for the First Spell collection with Delphine Royer, we call her one night very late, begging her to come by the set, just to take a picture. And, in her deep voice, she answered me: “you can count on me commies”.