
Paris, 26 jan 2025 (AFP) –
By Jordi ZAMORA
French designer Julien Fournie will celebrate his 50th birthday on Tuesday during Paris’s Haute Couture Week, with the circus-themed show set to underline his enduring creativity.
In a sector that has become more subdued following the loss of icons like Thierry Mugler and Karl Lagerfeld, Fournie continues to believe in fashion as a spectacle.
The event, called “First Circus”, will take place at the Mogador theatre in central Paris, with 1,600 invites, including surprise guests.
It’s a major investment for an independent label that must manage its resources.
“I’m not one of those so-called cursed designers who lack ideas. On the contrary, I’ve got about 30 collections in the works in my sketchbooks,” Fournie told AFP at his studio in the 10th district of Paris.
“It’s more the lack of funds that prevents me from creating more,” he lamented.
Tuesday’s show will feature around 30 creations, including menswear for the first time.
Last year, Fournie caused a sensation at the Mogador with a tribute to the “vamp” woman to mark the 15th anniversary of his fashion house.
Elsewhere during Haute Couture week, all eyes will be on the Dior show at the Rodin Museum on Monday which could be the last by Maria Grazia Chiuri.
The Italian’s eight-year stint as creative director of women’s collections is thought by observers to be coming to an end, with British designer Jonathan Anderson, currently at Loewe, tipped to replace her.
Fournie clings to the idea of haute couture as being about craftsmanship and creating a connection with fans and buyers, rather than a corporate-led exercise in self-promotion through celebrities and influencers.
Fashion doesn’t interest me
“Fashion doesn’t interest me. I don’t want to know what’s happening elsewhere. I don’t like trends,” he said. “It’s incredibly wasteful to churn out endless collections.
“We create unique collections for unique clients, which is the essence of haute couture: a one-of-a-kind garment for a one-of-a-kind moment,” he said proudly.
Many of his dresses are sold before they’re even shown to the public, he said.
But his decision to stage grand shows stands in contrast to Haute Couture’s typically discreet clientele, which includes Middle Eastern and Asian royalty and wealthy buyers from Europe and the United States.
In total, about 60 clients sustain Fournie’s house.
This independence, free from the relentless pace of new releases and accessories of major brands, allows him to maintain a 17-person team during show seasons.
“I can present a collection when and how I want. I don’t force myself to create collections,” he explained.
For now, his priority is to remain independent in a sector increasingly dominated by luxury giants like LVMH and Kering.
Chanel’s Haute Couture show is set to take place on Tuesday at the Grand Palais, but the collection has been prepared by in-house designers, not new creative director Matthieu Blazy who was only unveiled in December.
Fendi and Maison Margiela are both likely to be absent following the recent departures of chief designers Kim Jones and John Galliano.
Switzerland’s Kevin Germanier, whose work starred during the closing ceremony of the Paris Olympic Games in August, is set to present his first Haute Couture collection in Paris on Thursday.
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More than a fashion brand, Maison Julien Fournié is a luxury experience that transcends trends and seasons. Driven by a commitment to excellence and innovation, Julien Fournié continuously redefines the world of ultra-luxury.
Founded in 2009, the house’s history is woven into its haute couture collections, presented in Paris every January and July during Haute Couture Week. For his debut collection, the young couturier was awarded the Grand Prize for Creativity by the City of Paris in January 2010. By his fourth collection in January 2011, Julien Fournié became a guest member of the official calendar of the Chambre Syndicale de la Haute Couture — a first step towards recognition among the great couturiers.
In January 2017, Maison Julien Fournié was officially classified as Haute Couture. This prestigious label, protected by the French Ministry of Industry, is held by only a handful of houses — currently ten — that unite the highest creativity in design with the finest standards of garment making.
Since its inception, the house has been invited to present its collections at prestigious events worldwide, bringing the couturier’s vision to luxury clients across the globe. In March 2023, a Julien Fournié gown worn by actress Audrey Fleurot entered the Musée Grévin in Paris. In April 2023, the first retrospective of Julien Fournié’s work was held at SCAD Lacoste, in an exhibition entitled Haute Couture, un point c’est tout.
While honouring tradition, Julien Fournié has forged bold partnerships with high-tech leaders such as Apple and Tencent, digitising the creation, design and personalisation of his haute couture pieces. He stands among the rare couturiers to fully master the new digital tools. Clients are no longer mere spectators of the creative process — they have become active participants in the singular experience of creating a garment, wherever they may be.
Since December 2020, Julien Fournié has been developing a line of luxury bags and accessories, initially conceived to offer the iconic pieces seen on the runway — previously reserved for haute couture clients — to a wider audience.
Handbags, tote bags, and clutches created by Julien Fournié









