A sculptural bridal ensemble that blends couture technique with theatrical poetry. The twisted wrap blouse features a deliberately deconstructed collar and is crafted from three layers of luminous white silk organza, creating volume and translucence that shift with movement. The sheath skirt, cut in the same enigmatic “White Mystery” organza, is embroidered with a descending cascade of crystal motifs that catch the light like falling water. Completing the silhouette, the basque with train—named “No Limit”—extends into a dramatic sweep and is finished with a monumental bow in matching organza and the same crystal cascade embroidery.

The look is crowned by an aquatic-inspired tiara and a bra fashioned from Carrara marble–effect lace, both hand‑worked, the latter sculpted and polished by André Tognotti to evoke statuary refinement.

This Haute Couture Bridal dress was unveiled at the Haute Couture First Circus runway. It offers a contemporary meditation on the wedding gown and can be fully customized to the client’s wishes.

This Haute Couture Bridal dress was presented at the Haute Couture First Vamps runway. It offers a contemporary reinterpretation of the wedding gown and can be fully customized to the client’s wishes.

Parachute gown with a Joséphine de Beauharnais illusion neckline, featuring a star-shaped cut and oversized boning in white dupion silk. The gown is embroidered with constellation and comet motifs, crafted from crystal shards, vintage pearls, and gunmetal‑colored metal tubes. It is worn with a domino coat with a kimono effect in white dupion silk, lined in a blue‑azure lurex jacquard that shifts to silver for a mirror‑like sheen.

Tiara in blown glass, crystal and silver leaf, embroidered with vintage pearls.

Strapless sheath gown with an integrated corset in triple white silk organza, featuring a removable oversized farthingale in triple organza and an astonishing train — 160 meters of silk organza layered over a petticoat of 290 meters of tulle. The gown is embroidered with placed 3D XVIIIth‑century ribbon knots and Ex‑Voto Temple of the Sun motifs in graduated gold metallic threads, encased in crystal tubes with gold threads, micro sequins, and crystal shards. The neckline and gloves are embellished with tubular crystal embroidery that forms a three‑dimensional, sparkling constellation effect.

The entire embroidery required two and a half months of artisanal work.

The construction of this gown required eighty meters of textured silk organza, woven with a polyamide microthread that gives it a mesmerizing sheen. Built on a bodice suspended by illusion tulle, the volume and cutwork were sculpted to define an airy silhouette. The skirt, made from multiple godets, produces a train that evokes the flowing movement of a jellyfish.

Sheath gown with an asymmetric strapless bodice in white‑optical silk jacquard and lurex. A multi‑layered, pleated overskirt with a sweeping train extends the silhouette and is fully embroidered with crystal constellation motifs that sparkle with every movement.

Asymmetric illusion‑strap dress, buttoned in white silk drapery with a corset effect, trimmed with crystal cabochon buttons. Coordinated double white silk georgette skirt with godet shaping that sculpts the silhouette. White silk tulle veil embroidered with crystal constellation motifs that sparkle with every movement.

Wedding Gown in optical white silk organza, structured with multiple boning panels embroidered with comet motifs in silver thread and crystal. The underdress, cut in a 1930s silhouette, is made of washed glacier‑blue silk and embroidered with a nebula of crystal‑set shards.

Kimono‑sleeved dress with a vest‑like effect in optical white silk drapery and pleated silk organza, embroidered with Aztec motifs in gold thread. The gown is worn over a Chantilly‑style pleated petticoat in tulle, made from 90 metres of tulle for an airy, delicate volume.

Asymmetric strapless gown with a sculpted twist effect, featuring generous volume in marble‑patterned silk jacquard and lurex.

Bias‑cut gown in optical white silk drapery, accented with gold moon‑tone metalwork. Styled with a white silk tulle veil and a fresh‑flower headpiece of jasmine and white broom, the look is at once pure and poetic.

Haute Couture Wedding dress with a bodice in Chantilly lace and vintage guipure marquetry, worn over a crumpled optical‑white silk faille skirt. Dramatic full silhouette finished with a sweeping train.

Strapless haute couture bridal dress with a 1950s‑inspired neckline, featuring anatomical seaming and multiple boning panels, crafted in optical‑white silk jacquard accented with lurex threads that shimmer with aurora‑like iridescence.

Asymmetric sheath coat‑dress with a cowl neckline, swallow‑tail kimono sleeves and a mermaid train, crafted in optical‑white silk drapery. The design pairs a sleek sheath silhouette with sculptural sleeve volumes and a dramatic train for an elegant contrast of restraint and movement.

Asymmetric strapless haute couture wedding gown with a projected knot detail in nude silk tulle embroidered with golden sparks, layered over a nude silk faille skirt re‑embroidered with gold kilt‑pin motifs.